Thebes

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ANCIENT EGYPT | The Valley of Beauty

The Valley of the Queens, the southernmost of the Theban necropolises, is the place where, starting from the 18th Dynasty, the princes and princesses of royal blood were buried, together with people who lived at court; later, starting from the time of Ramses II, the queens who were given the title of “royal brides” too. Later, during the XX Dynasty, Ramses III restored the tradition and had the tombs of some of his sons set up in the Valley.

The Necropolis of the Queens

Originally, the Egyptians indicated it as ta set neferu, an expression that lends itself to various interpretations, but that can probably be translated as “the place of beauty”, which is the most common interpretation.

The necropolis is located at the bottom of a valley, surrounded by steep hills, behind the hill of the present village of Qurna. In it there are about 70 tombs, looted in ancient times and then reused by local communities.

The site was chosen because it was considered sacred and, therefore, suitable for its function of royal necropolis, both for its proximity to the Theban peak and for the presence at the bottom of the valley of a cave-waterfall whose shape and natural phenomena connected to it could suggest a religious and funerary concept. The cave would, in fact, have represented the belly or womb of the Celestial Cow, one of the representations of the goddess Hathor, from which flowed the waters that announced the imminent rebirth of the dead buried in this privileged place.

Champollion in 1800, during one of his trips, documented about a dozen of them, the only ones available at that time.

In 1904, an Italian discovered in the Valley of the Queens, in West Thebes, what is probably the most beautiful tomb in Egypt. The Italian was Ernesto Schiaparelli, the director at that time of the Egyptian Museum of Turin, while the tomb belonged to the famous Nefertari, the Great Royal Bride of Ramses II (1279-1212 BC).

Schiaparelli
Ernesto Schiaparelli

Despite the work of looters, who left very little of the original equipment, the QV66 remains a jewel for its architectural structure, comparable to those found in the Valley of the Kings and, above all, for the magnificent pictorial cycle that adorns the walls and ceiling.

Nefertari
Pictorial decoration from the Tomb of Nefertari (QV66)

The plan of the tomb is quite articulated, because it has many similarities with that of Ramses in the Valley of the Kings. It has a long entrance staircase, a large central chamber and an access staircase through which one enters the sarcophagus room, which has four pillars and four adjoining rooms.

It was only in 1970 that in the Valley began a series of annual missions carried out by the Centre National de la Recherche Scientifique (CNRS) in Paris, the Louvre Museum, the Centre d’Études et Documentation sur l’Ancienne Egypte (CEDAE) and the Egyptian Antiquities Organization, now the Supreme Council of Antiquities.

To the excavations of Schiaparelli we owe the discovery of all the most important tombs of the site, such as those belonging to the sons of Ramses III, Seth-her-khepshef (QV 43), Kha-em-waset (the QV 44), Amon-(her)-khepshef (QV 55).

The beauty of this valley, you savor it at sunset, sitting on a stone, waiting for the sun to come down through the rocky clefts, that from the ochre color pass through the varieties of the pink color, but from the silence sacred to the pharaohs here appears on my head the circling of the Hawk God…

 

To the kind readers, we give appointment with the column on Ancient Egypt, in the new bimonthly magazine of Archeome from February 2021.

Tradotto da: https://archeome.it/antico-egitto-la-valle-della-bellezza/

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ANCIENT EGYPT | The divine Karnak

A few kilometers from Luxor, walking through the dusty streets of sand along the river Nile, here stands before our eyes the majestic Karnak temple complex, dating from the New Kingdom, the center of the spread of the cult of Upper Egypt. The “Temple of Temples” was not built on a human scale but for the gods. It is the sacred eye of the lord of the universe, Amon the Unknowable, who guides humanity, the One who remains the One, Amon the Infinite power, with mysterious origins in its splendor.  

Meditative architecture

The complex is dedicated to the worship of the god Amon-Ra, supreme god of heaven and fertility, and it is a part of the impressive temple complex of Karnak, which occupies an area of about 48 hectares. Its construction developed over more than half a millennium, from the sixteenth to the eleventh century BC, but in fact it has never been completed. Various pharaohs were involved in the great enterprise, eager to enlarge it, enrich it and make it more and more majestic.

The complex of Karnak takes its name from an Arabic term meaning “fortified village”, replacing the old Egyptian name of Ipet-sut, “The one that counts the seats”, first reserved to the central part and then extended to its totality. This huge temple complex was the center of the ancient religious cult, while the administrative power was concentrated in Thebes (today’s Luxor).

Beyond the religious function, the site was also the administrative center and seat for the pharaohs during the New Kingdom. Karnak is probably the largest monumental complex ever built in the world, developed from generation to generation and resulting from a composition of temples, shrines and architectural elements unique in Egypt.

Karnak is divided into three sections: the precinct of Amon, Mut and Montu. Its complex layout throws a shade, in terms of size, on any other monumental site in Egypt. The precinct of Amon contains all the most famous sections of the Karnak complex, including the dizzying Great Hypostyle Hall.

Karnak 1789
The temple of Amon-Ra in the complex of Karnak, as it appeared to the Napoleonic expedition in 1789

The first nucleus of the temple dates back to the Middle Kingdom, with the construction of the “White Chapel” by Sesostris I, a small cultic chamber designed to contain the sacred boat. The building of Amon-Ra required many complex construction phases, starting with Tuthmosis I, who enclosed the sanctuary with a wall. Hatshepsut erected obelisks near the eastern wall, while with Tuthmosis III other pillars were added.

With this last sovereign the “Hall of the Feasts” was built, destined to the celebration of the sed feast; another important realization was the construction of a room in the complex called “Hall of the Annals“, where the account of the victorious battles in Syria and Canaan was engraved.

Alone in front of God

In the “Great Hypostyle Hall“, commissioned by Sethi I and Ramses II, we find the place where the spirit circulates in the forest of the unconscious, the true labyrinth, the place where the adept awaits the inspiration that will come down from the capitals of the countless columns.

colonne sala ipostila
Columns of the great hypostyle hall

The columns are the very image of the beginning of the world. They defend and conceal the entrance to the sanctuary and contribute, thanks to the magnetism they radiate, to attract the divinity, sensitive to the beauty of the origins. The dimensions of the hypostyle hall are colossal: 134 gigantic columns, which open their capitals towards the sky, support 70-ton lintels on which the heavy stone slabs of the roof are placed, with a capacity of up to seven meters.

In the Hypostyle Hall one waits and meditates: a tension, an elusive presence fills the space, the light changes and leads in front of the doors of the mysterious dwelling, after which one will find oneself alone with the god and can pray for his purity, his legitimacy. Today’s man becomes a cosmic man, goes through the various stages and reaches perfection.

Tradotto da : https://archeome.it/antico-egitto-la-divina-karnak/